2007 has seen the first ever live performance of 'Spiney Fleshpot' doing a live soundtrack to 'Dr. Mabuse - Der Spieler' at Mercury Cinema, Adelaide. This being a collaboration with CanAworms stable mate, 'Twisted Subterranean Death Trap'. To date, we notice 2,498 downloads of "Plumbing the Underbelly" from the link listed below at muzic.com, a fact that gives us a lovely warm feeling down there, a virtual stroking of our collective ego, encouraging us onwards and upwards. The thought of 2 and a half thousand nincompoops sizzling their synapses to Spiney Fleshpot this festive season fills our little shrivelled souls with unparalleled glee.. A big smelly sloppy kiss of thanks to you all from the sad monkey.

These albums can also be ordered as a physical artifact CDR replete with cover in shiny shiny goodness from -
patrikavanagh@gmail.com

for the friendly sum of $10 Australian, postage inclusive.
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Peter Read – guitar, keys, strange noises.
Peter has also been 'Chimp Inc', 'Thug', 'Moist', 'Leather Moustache', 'Sunday school', 'Animal Noise' and 'The Dentists', to name a few.
Patrick Kavanagh - guitar, keys, sampling, programming, and all other incidental instrumentation including trumpet, midi saxophone, giant wooden harmonicas, vocal effects, loops and treatments, general and specific engineering.
Patrick is from experimental industrial electro performance act ‘Twisted Subterranean Death Trap’ and prior to that, ‘Dweller on the Threshold’ – an industrial psychotronic dreamscape project with then - partner in crime, Helene Hex Henbane, involving percussionist Glenn Maltby and before him, legendary multi instrumentalist, John Murphy. Before 'Dweller on the Threshold' Patrick, with Helene and John Murphy formed 'Jaundiced Eye', an industrial noise/rock act. Before that Patrick was a founding member of art rock band 'Box the Jesuit', playing guitar, keyboards and saxophone for around five years, after originally joining the band as trumpet player when they (along with Kevin Lewis Black) were ‘Madroom’. Also featured on this compilation were 'Moist', 'Leather Moustache' and ‘Smack of Jellyfish’, an pure onslaught of thick black noise in a maelstrom of colliding, crashing, ultra-down-tempo arrhythmia, Patrick’s first serious project playing modified electric guitar for the first time and some vocals, with fellow members, Belinda Cutting sharing vocals and bass and Jackie on bass as well as backing vocals with Phillip Clifford of ‘Box the Jesuit’ on drums and Peter Read as engineer interjecting tapes and delay grabs.

grim

insects, parambulators, gizzards

grips

beelzebub

spicy secret pony fantasy

Dr. Mabuse - der speiler